The Scottish Post Office 1985 — David Williams

This selection of images is from the body of work commissioned by the Scottish Post Office in 1985 to celebrate the three hundred and fiftieth anniversary of the GPO. I adopted a humanistic approach to the project, seeking to portray the dedication of a range of the organisation’s employees as well as highlighting the importance of the Post Office to both urban and rural communities in Scotland. I had always been a great admirer of John Grierson’s film Night Mail (1936) and was proud to be commissioned in a similar manner to produce a piece of work based on the activities of the Post Office. 

The images were made mainly in Edinburgh and various locations in the West of Scotland. Throughout my travels, I encountered extraordinary kindness on the part of the employees and have very fond memories of the time I spent with them. I was deeply impressed by their commitment to their work and how such commitment contributed to the wellbeing of the wider community. No matter how remote the location, or inhospitable the weather conditions, one always had the sense that ‘the mail would get through’.

The project was never disseminated as planned and indeed never fully completed. The Scottish Post Office view was that the images were too ‘down-market’ for public consumption given the host of political pressures (related to possible privatisation) it was under at the time. My feeling was that as a commissioned artist as opposed to a commercial practitioner, I reserved the right to produce work which functioned outwith the immediate promotional concerns of the organisation. We agreed to differ and parted company just as I was about to embark on making portraits of employees in more managerial roles. Nevertheless, hopefully I still managed to produce an engaging body of work, supportive of what was a deeply impressive national institution. 

David Williams is Reader of Photography at Edinburgh College of Art.

All images and text © David Williams.

Author: craigatkinsonstudio

UK based photographer, publisher (Café Royal Books), lecturer (UCLan), visiting lecturer (lots), and dad (x2). Generally concerned with street photography and places, usually Brutalist. Founded Café Royal Books in 2005. Publishes weekly titles focusing broadly on aspects of change, usually social documentary, in the UK, and between 1970 — 2000. Work collected by MoMA, Tate, V&A and many other international public, private and educational libraries, galleries and museums.

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