Stephen McCoy

I guess there are two phases to my career as a photographer: The first phase was as an educator, teaching part time at several colleges in the north-west, ending up as a full-time programme manager at Hugh Baird college in Bootle.
During this phase I worked on several projects and in roughly chronological order (although some did overlap) they were:

Pleasureland”: photographs of Southport fair out of season shot on 5×4 in black and white.

Keep off Sexy Drugs — Steve McCoy

Housing Estates”: photographs divided into four discrete sets that showed an evolution of approach to the same subject. Set1: 35mm graphic, contrasty black and white images. Set2: 35mm grey and understated black and white. Set3: 5×4 black and white and Set4: 5×4 colour.

Stephen McCoy

Demolition Sites”: 5×4 black and white photographs of areas of ground either where buildings were being demolished or where buildings had been demolished some time in the past.

Skelmersdale”: 5×4 black and white photographs of the people and environs of Skelmersdale built as a satellite new town, twenty miles from Liverpool. The now defunct Merseyside Arts employed me as a photographer in residence and I worked there for one day a week for twelve weeks. (I continued with the project after the funding finished.)

Stephen McCoy

The Plight of the Trolley”: medium format ,semi-humorous colour photographs of abandoned shopping trolleys.

Personal Space”: 35mm black and white photographs showing the quirky nature of modern family life.

River to River” colour 5×4 photographs of the coastline from the River Ribble to the River Mersey

The above work was variously exhibited and published at The Open Eye Gallery, Impressions York, The Bluecoat, Liverpool, The Atkinson, Southport, North-West photography Group shows, British Journal of Photography, Creative Camera.

Café Royal Books have printed: Skelmersdale and Housing Estates. Pleasureland is released today.

The second phase began in 1997 when Stephanie Wynne and myself formed the collaborative partnership: McCoy Wynne. We built up a successful commercial practice and were able to leave teaching in 2005, concentrating on commissioned work but also collaborating on personal projects, a selection of which are listed below. This second phase coincided with the increased use of digital techniques: another re-invention of photography.

Quiescence”: a study of dormant spaces was our first large project exhibited in 2008 and this led to McCoy Wynne being shortlisted for The Liverpool Art Prize in 2009 for: “An Avian Presence”

Bingo and Burial”: was exhibited as part of Liverpool Look 11 photofestival and we re-photographed from the original viewpoints of my demolition site photographs taken in the 1980’s.

Gulls”: photographs of the flight patterns of birds disturbed at night within the urban environment and exhibited at The University of Liverpool and recently at The University Centre, Blackpool.

Triangulation”: a long-term project to photograph all 310 triangulation pillars which will also provide a survey of the British landscape, exhibited as part of Liverpool Look 13 photofestival.

A further ongoing project “The Urban Forest” has also been recently exhibited.

The projects listed above, although varied in subject matter, all have a grounding in notions of documentary photography. We do not tend to photograph “events” or feel we take photographs that are “reportage” or “journalistic”. At the risk of sounding pretentious we consider ourselves to be conceptual documentary photographers.

Our concerns are more long term and we like to work on projects over several years. The acceptance of the factual nature of documentary photography is ideally suited to portraying the passage of time and the revival of some of my archival projects by Café Royal Books has highlighted how photographs, which were once contemporary, have become historical documents.

It’s also worth noting that very few of the projects have people as the major subject. We are more interested in environments, landscapes and artefacts. We have never felt entirely comfortable photographing strangers and no matter how careful one is there will always be some elements of exploitation.

Stephen McCoy 2015

Images below are from titles published by Café Royal Books.

Author: craigatkinsonstudio

UK based photographer, publisher (Café Royal Books), lecturer (UCLan), visiting lecturer (lots), and dad (x2). Generally concerned with street photography and places, usually Brutalist. Founded Café Royal Books in 2005. Publishes weekly titles focusing broadly on aspects of change, usually social documentary, in the UK, and between 1970 — 2000. Work collected by MoMA, Tate, V&A and many other international public, private and educational libraries, galleries and museums.

2 thoughts on “Stephen McCoy”

  1. Hi Craig,
    Hope this finds you well. The Stephen McCoy book looks great. My sister worked at Pleasureland, my brother lived in Skem when it first started. Looking forward to seeing books.
    Have you come across anything anything on the Southport Sea Bathing Lake? My mum used to take us all there for the day most days in the summer. The Tony Ray Jones photos on the Miss English Rose beauty contest are just brilliant, but not found anything else.
    So thought would ask if you had come across anything else.
    Thanks as ever.
    Mike Fitzgerald
    Sent from my iPad
    >

    Like

    1. I haven’t Mike. I know the TRJ pictures and I was only thinking about the old baths the other day when moaning about what Southport has become…Or lost. I’m sure there’s an archive, or some at the library perhaps but I’d like to see some shot with ‘intent’ rather than vernacular…Would love to see those too though if anyone has any.

      Like

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s